The Cartoonist Co-op (which I’m a member of) has a new anthology out – F$@K CENSORSHIP! The Anti-Censorship Comix Jam!
A WORD OF CAUTION:
If you want to engage with this anthology and the statements on it, there are content warnings. Please, ONLY engage with the anthology and the website if you are up for it. Many of the comics and works on there (including my submission) have deeply upsetting, triggering, and sometimes downright awful material. The content warnings are there to help you prepare and gauge what to engage with, if anything. PLEASE use those content warnings for your safety.
This anthology was made after itch.io started cracking down on NSFW comics, art, and other content on their website. We understand that they only did it because the payment processors (including Stripe and Mastercard) are pushing for outright porn bans. And we also understand that those companies are doing so because of demands from alt-right “women’s rights” groups out of Australia (no I’m not kidding).
That said, companies censoring work sets a dangerous precedent. Because where does the line get drawn – and who draws it? And when those lines get drawn, who gets punished?
Again, YOU HAVE BEEN WARNED that there are content warnings and upsetting material on the website. All the content/trigger warnings are listed on the front page of said website. ONLY engage with it if you are a) an adult, and b) ok with engaging with the material. You DON’T have to engage with it.
(I’m also re-iterating this because I did make a submission for this anthology, and I don’t want anyone leaving comments saying that any particular piece upset them, though I will probably get those complaints anyway. I warned you. Multiple times.)
So Why Did I Participate?
Because the older I get, the more I stand firm on one thing: no censorship. End of sentence.
It’s not just a matter of artistic expression, whether that expression is for catharsis or any other emotional release. Sometimes the drive to create something – anything – is too great to keep contained. There is that. Also, those questions I mentioned are worth asking: who is doing the censorship, and why? And who benefits from the censorship? More often than not, the benefactors are people trying to silence black, brown, and queer people, especially in this particular time in the United States. To be frank, it’s more than annoying that we are silenced while fascist ideologies and their “AI art” plagiarized from actual artists are allowed prime time on national airwaves.
I participated in this project because these questions matter. And it matters to keep making art – even gross, awful, perverted, even deeply triggering work.
I’ve seen the IBM management proclamation: “Computers cannot be held accountable, therefore they cannot make management decisions.” Then someone took that and made it “computers cannot be sad or horny. Therefore they cannot make artistic decisions.” Art is a form of expression. But if the only expression we allow fits within certain parameters, that’s censorship. Art is release, catharsis, expression, and skill, all combined to make the viewer react in some way. And part of what makes it art is that human element – a human made it, and a human engages with it. Whether they feel empathy, disgust, joy, etc, what matters is that we feel something.
That’s why I participated.
That’s all for now. Be safe, and take care of yourselves.
The Co-op Comix Mixtape podcast has a new episode out now – the Read Black Comics! Special!
This episode was put together by Iris Jay, Yuki Clarke, Adam, and me, with member contributions included in the episode, and cover art by Alina Wahab. You can listen to it wherever you listen to podcasts, including Pinecast and YouTube!
If you’d like to subscribe to the RSS feed to never miss an episode, you can do so with this link. New episodes will be posting once a month.
When speaking with the staff and with vendors who had been to Bash Con in the past, I found out that:
Apparently Bash Con has been a University of Toledo event for nearly 40 years – which is bonkers to me because I had never heard of this show until a year or two ago.
This show is usually held in March. So, the fact that it happened in February this year is an anomaly compared to past years. This made me wonder, more than once, “Why did they reschedule? Especially because February in Toledo isn’t exactly spring time.” (Plus we got a fresh blanket of snow on Friday – day 1 of the event.)
I think that both of these factors – that the show is advertised by word of mouth, and that they rescheduled from past years – contributed to the show floor being so…quiet.
There were attendees, don’t get me wrong. I wasn’t sure what kind of crowd to expect (because I had not attended this show before). But the crowd was small. I don’t think paying $40 for a half-table would be worth it for most people, considering the low attendance.
That said, local artists like me did not lose out a whole ton. At a show like this, it helps to be local because you’re not out the cost of a hotel or AirBnB. I had recouped the cost of the table fee through other means, and my only other expense for this show was meals. Thankfully I made enough sales that I recouped that cost on day 2. (I don’t tend to count the cost of printing because printing is used to make merch that gets carried over to future shows.)
On the plus side, the folks who did stop by my table were mostly lovely! There were only two people that made me go, “Please walk away” in my head, which…it’s Toledo. Having that internal reaction to two people at an event in Toledo is the batting average. I had the same thing happen at Momentum in 2024 and the Toledo Comic Arts Fest last year.
There was another unexpected perk from Bash Con, but to talk about it, I need to establish a little context.
Most conventions don’t have lunch breaks. The expectation is that you will eat something from the vendors who service the convention center or whatever hall is hosting. (Unless you sneak in snacks.) It’s considered lucky if a convention has a Green Room with snacks and drinks for the vendors and guest artists. (This is part of why I love A2CAF – they have a green room with full-on catering, and it’s lovely.)
Bash Con did it a little differently. Saturday the vendor hall was open from 10 am to 10 pm…but closed for lunch and dinner so the vendors could get food. Once at 1 pm for an hour, and again at 6 pm for dinner. I genuinely did not expect that, but it was super helpful!
Also, the event was held at the University of Toledo student union. The top floor has a restaurant called Phoenicia, with diner seating and everything. And just about all of my meals for the weekend came from them because their food is freaking delicious. They also had tea with honey! Bless them. They saved my poor throat – I only just recovered from a nasty cold, and forgot how much talking is done at a con, even a slow one. Their tea saved me multiple times.
FINAL VERDICT: vendors – locals only for this one. Please don’t drive in from outside of the Toledo, OH area to set up here. Maybe it’ll be a different story if they hold this again in March next year, but that’s yet to be seen.
Bash Con – for the love of all that is holy, you gotta promote this show better! Social media alone is not going to cut it. If you need pointers, reach out to the organizers of Pittsburgh Indie Expo. They ran their first show last year after a long hiatus and the turnout was huge. I can give you their contact info, just let me know!
I have the following rewards lined up for my Ko-fi Club members!
For my Art Club folks, you’re getting a Jackie Ormes mini-print! She’s considered the first African American woman cartoonist, and is the creator of Torchy Brown and Patty-Jo ‘n’ Ginger.
And for my Zine Club members, I’m reprinting my Black History Zine!
This reprint is getting a new format compared to its original print run. I’m very excited to get this back in print!