Comics Are Literature. Period.

I was reading through my comics news feed and came across an article, called “But Where Are The Conservative Mangas and Graphic Novels?”

The gist is that the writer found an article about conservative folks catching on that comics can spread ideas for political gain. There are already plenty of comics out there by folks who would consider themselves liberal. I still remember shelving comic books about President Obama and John McCain when I worked at the Browne Popular Culture Library.

However, the article goes on to mention the comments. That’s what got to me.

There were comments essentially boiling down to, “Them there liberals don’t like it when their kids can read!” And worse, “Comic books are not literature, and it’s not elitist to think so.”

I’m going to ignore the politically charged comments right now to focus on comics as literature.

I won’t lie. When I grew up, I thought comics were sort of dumb.

I lived in a village of less than 200 people. The library was a ten mile drive away. The only comics they carried were collections of newspaper comic strips. I never read a Marvel or DC comic until I was twenty years old.

However, the pubilc library carried one anomaly in its comics collection. I don’t know how they got this book but I’m glad they did.

It was Gundam Wing: Episode 0.

That was my first exposure to longer and more serious comics. And it changed my life.

For the first time ever, I saw that comics were like any other book. They can tell complex stories. They can have high drama. They can have glorified violence.

Hell, comics can tell any story they wanted.

When my family and I moved out of the village, we moved to a town of around 20,000 people. To make up for the culture shock, I started working at the public library there.

That was around the time that libraries noticed graphic novels were really, really popular with readers. So the local library’s graphic novel collection was fantastic. And every week there was something new. Actually, three new graphic novels a week came in sometimes.

I devoured everything in their collection, from Blankets to Paradise Kiss. I read comics that told autobiographies. Science fiction. Romance. Comedy. Fantasy. War. Shakespeare. Anything and everything was encompassed in comics.

And I loved it.

Now, the stereotype is that people who read comics can’t read “normal books” (ugh, don’t get me started on “normal”). Or worse, people who read comics are lazy and are terrible students.

I am not ashamed to admit I was an overachiever in high school. 4.2 GPA, clubs, a part-time job to save money for college (it sort of worked).

I was not lazy. So that stereotype doesn’t apply.

The other stereotype is that comic book readers can’t read “works of literature.”

And my favorite non-comic books?

I have a long list that includes 1984 by George Orwell, BeowulfThe Thirteenth Tale by Diane Setterfield, and Slaughterhouse-Five by Kurt Vonnegut.

I’m such a nerd for Slaughterhouse-Five that I want to make it a graphic novel.

You could argue that I know these books because I’m a former librarian, but no. That’s not the case at all.

You could argue that reading comics was a stepping stone to reading these literary classics.

That’s not the case, either.

I read comics, graphic novels, and books because they all satisfy my need to read and engage in the world.

Books, fiction or non-fiction, are gateways into the world. They are windows to show us life and how to grow as human beings. How to empathize. How to love. How NOT to love.

Comic books and graphic novels are just a way to tell those stories.

Some people are great with words. They can write the best novels and make great pieces of literature.

I argue that there are many comics that do the same thing.

Is there trash in comics?

Yes. There’s trash in novels, too (Twilight and The Pillars of the Earth included).

But just because some works are lackluster doesn’t mean the entire medium needs to be discounted.

Comics are a valuable medium. We need comics to tell us stories just as much as we need books.

And besides, who are we to say what’s trash? I know people that actually like Twilight and I still respect them as people. Those books are a treasure to them just as much as Maus or Koko Be Good are treasures to me.

My point is, it’s not the medium that counts. It’s the story it conveys and what that story means to its reader.

For me, though, comics will always win. For me, comics are the best and most entertaining way to tell a story.

That’s why I make them. That’s why I write about them.

So what about you? What are some of your favorite books, comics or otherwise? Let me know in comments!

My Post-College Life…So Far

It’s hard to believe that two years ago I graduated from college.

It’s harder to believe that I’m working in the industry I got a degree for.

For an art major, that’s what professional sociologists would call “A BIG EFFIN DEAL.”

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I’ll tell you now, though: it wasn’t a cakewalk to get to where I am today. And there are still things I struggle with – including feeling like an imposter who will be caught at any moment by those whom Neil Gaiman called “The Fraud Police.”

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However, I still want to write this post. It’s not just for myself. It’s for all of my friends who have just graduated college this year.

We see a LOT of things online about crippling student loan debt, lack of work, slow starts, and general all around hopelessness that defines us “millenials” (who came up with that word?) as much as annoying criticism and outdated optimism defines baby boomers.

I want to fight against that.

I would argue there’s still a lot to be hopeful for.

I graduated in 2012, and immediately went to my usual summer job of drawing caricatures at an amusement park. For a while I was ok, but thanks to a business slump, bad weather, and workplace drama, I quit my job and moved back home.

Then I jumped around part-time jobs, being a Subway employee, a lottery ticket seller, a cookie baker, a motel housekeeper, and a janitor at a coal plant.

All of these jobs occurred in a one-year span, and I had multiple part-time jobs at once. It was terrible.

I was one of those kids who, in high school, had one job for three years, and in college I had two jobs for four years.

So jumping around from job to job in one year made me feel extremely inadequate – like I wasn’t good enough to work one place for more than four months at a time.

Then, I met Marc.

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We met and started dating in February 2013. In our first week of dating, we had our first significant event as a couple – a car crash.

Afterward we still stayed together, but things were generally crappy. I felt terrible for being underemployed despite how much I tried to build my portfolio and get a job and move out.

UNTIL…

I was on Tumblr one day when I saw a post from Christian Beranek, whom I had not met before then. It read something like:

I’m looking for an artist for a new project. It’s a slice of life webcomic – and it’s a paid gig.

And I really really really wanted to send a portfolio, but then this started happening:

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BUT THEN…

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And that’s how I got this job that I’ve been doing for a little over a year now.

Of course there were challenges within that year: conventions, a broken wrist, and eventually moving to Arizona.

There are still times I struggle with making ends meet, and working on comics is not the only job I have had. I still freelance and I still work on other things besides comics.

But, with all of that said, I’m still technically employed in my dream career – making comics.

I am incredibly lucky and incredibly happy to be here.

Despite how difficult it can be sometimes, I do know this –

If I didn’t quit working in caricatures – a well-paying but ultimately awful job – and if I didn’t send my portfolio to Christian in spite of (or because of?) my fears, I would not be here.

It’s been hard. There are still the occasional nights where I wonder if I’m doing the right things – and I’m in my career field!

Then, rather recently actually, I came across a quote that went like this:

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There is no right or wrong choice. There are only choices.

In that way, your future is limitless and open no matter what your circumstances right now.

There are no wrong choices.

Another thing to remember: it took me about a year to get into my career field. Some people get into their field right out of college. Some don’t get into it for another year, two years, ten years, TWENTY years. Some decide to change course altogether and do something else with their life.

None of these paths are right or wrong. They’re just a reflection of the choices those people have made, due to their experience, circumstance, and/or luck.

That’s ok.

You’ll be ok.

I hope this helps you a little bit, recent grads (and maybe not-so-recent grads).

I also made a list a while back for recent college graduates. It’s what I wish people had told me for the first year of life outside of college. I hope you find that helpful, too.

Thanks for reading. You’re awesome.

Free Comic Book Day…Promo Poster

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I have just spent the better part of half of the day making this flyer. I’m actually kind of proud of it!

I made this flyer for the Apache Junction Public Library, as I will be speaking and doing demonstrations of my comics-making process that day. May 3, Phoenix, AZ. You should be there (I would love it if you make it).

Now who all can you spot in the picture?

Abandoned Projects: Julia

This is the start of a recurring feature I’m going to call “Abandoned Projects.”

These projects are all stories I shelved for one reason or another: whether the reasons be it was too cliche, I didn’t have the artistic expertise, I got older and lost interest, it didn’t have an end in sight, or any other reason.

Why am I sharing them? Because

  1. I can, and
  2. I want to know if you’re interested in seeing these ideas actually become stories.

The first abandoned project I want to bring up is actually one of my oldest. I started scripting this back in high school and actually convinced the art teacher (somehow) that I should do this as an assignment for an actual grade. It was a project I legit wanted to make at the time, and I wanted to send it to Yen Press when they started doing annual talent searches.

It’s called Julia, and it was my retelling of The Little Mermaid.

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Julia was the youngest of seven sisters, and it was a right of passage among them that they go to the surface and see the world above.

Some saw dogs, others saw ships, the second youngest found a way to climb an iceberg and wave to passing ships, causing one of them to wreck, that kind of thing.

Julia’s first sight above the water is fireworks firing off from a ship. It’s the prince’s birthday, and she goes to investigate. And she falls in love with him at first fight.

Unfortunately, one of the fireworks catches the mast on fire and the prince falls overboard. As Julia goes to save the prince, the fire spreads even worse, eventually catching more gunpowder and causing the ship to burst. The survivors all swim to shore, which is where Julia drops him off (careful to not get spotted herself).

When she goes back to her sisters to tell about what she saw, they get angry at her – they have a rule that states that they don’t get directly involved in the affairs of humans, and Julia violated that rule by saving the poor boy from drowning.

Eventually there’s a falling out with her sisters, she sells her voice to a sea witch (who’s design is based more on an eel than a fish), she gets legs, and she gets to shore.

Unfortunately, the Prince doesn’t know who she is, and she is hired as an entertainer to dance for him in the great hall. Eventually she befriends one of the servants in the castle and slowly starts to develop a crush on him.

Her sisters find her and try to convince her to abandon the prince and come back to the sea. She refuses, even as her feelings intensify for both the prince and the servant boy.

The question is, who does she choose?

Well, I knew how it would end (which is a good sign for a project), but I shelved the project for a few reasons.

The first is that at the time, I didn’t have the artistic skill to pull this off. To be frank, my art at the time SUCKED. Also, I wanted to illustrate this in watercolors, but when I did a test page in the style, it was muddy and gross. At the time I didn’t know how to get my hands on Photoshop, so it was the traditional route or not at all.

The second reason I left it was because it was WAY TOO CLICHE. It was reading like a Shoujo Beat manga (which aren’t bad, but that wasn’t what I really wanted with the work at the time). Besides, the whole, “Who does she chose? The elegant, handsome prince, or the lowly servant boy with a heart of gold?” thing had been done to death. The only way I was going to make it unique was in the dynamic between the sisters.

Which, now that I think about it, the dynamic between the sisters was one of the best parts of that story.

The third reason? I missed the deadline to have pages finished and submitted to the Yen Press Talent Search at the time.

The fourth reason? The work was too long for the talent search anyway.

I MIGHT pick this up again in the future. What do you think?